Self Impression

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Focusing on the innovative life-writing techniques of writers from the 1870s to the 1930s, the book examines how figures like Pater, Ruskin, Proust, and Woolf blurred the lines between autobiography and fiction. It presents a fresh perspective on Modernism, highlighting the unique literary experiments that shaped the era's narrative forms and self-representation. Through these explorations, it offers a radical rethinking of the relationship between personal experience and literary creation during this transformative period.