Gender and Activism in a Little Magazine

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Exploring the intersection of politics, visual culture, and gender, this study delves into the graphic satire of the socialist journal the Masses, active from 1911 to 1917. It highlights how gender influences artistic expression during this period, offering fresh insights into early 20th-century perspectives. By reinstating these often-overlooked images, the work enriches American modernist scholarship and emphasizes the significance of visual activism in shaping social discourse.