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The book delves into the interplay between Bakhtin's theories and the theatrical practices of his era, particularly focusing on influential figures like Stanislavsky and Meyerhold. It highlights how Stanislavsky co-founded the Moscow Art Theatre and evolved his methods, while Meyerhold's revolutionary productions challenged traditional realism during the 1920s. Additionally, it touches on Grotowski's groundbreaking Poor Theatre, emerging in Moscow shortly after the tumultuous events of the early 20th century, showcasing a significant evolution in theatrical philosophy and practice.
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Bakhtin and Theatre, Dick McCaw
- Idioma
- Publicado en
- 2015
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