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Split Screen: Belgian Cinema and Cultural Identity

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  • 267 páginas
  • 10 horas de lectura

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Exploring the unique linguistic and cultural divisions that shape Belgian cinema, this study presents a comprehensive history from its inception to contemporary successes. It highlights significant films and directors, such as Toto the Hero and Chantal Akerman, while addressing the state's role in production and the rich traditions in documentary and animation. The impact of political and economic changes in Europe, alongside globalization, is examined, allowing Belgian cinema to redefine its place within both national and international frameworks.

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Split Screen: Belgian Cinema and Cultural Identity, Philip Mosley

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