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Los Libros de Actuación

Esta serie se adentra en el profundo mundo de la actuación, ofreciendo a los lectores una visión de los métodos y filosofías fundamentales que han dado forma al teatro y al cine. Explora las técnicas de maestros cuya influencia resuena hoy en día, proporcionando orientación práctica para los intérpretes contemporáneos. Los entusiastas del teatro y el cine descubrirán una rica fuente de inspiración y conocimiento. Es una guía esencial para cualquiera que busque comprender la esencia misma del arte de la actuación.

An Actor's Work
Creating a Role
Building a Character
An Actor Prepares

Orden recomendado de lectura

  1. 1
  2. 2

    "An Actor must work all his life, cultivate his mind, train his talents systematically, develop his character; he may never despair and never relinquish this main pupose - to love his art with all his strength and love it unselfishly." (Constantin Stanislavski)

    Building a Character
  3. 3

    No-one has had greater influence on acting as we know it than Stanislavski. His 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His teaching is principally set out in three famous books: An Actor Prepares, Building a Character and Creating a Role. It is still the only comprehensive theory of acting we possess. In the first book, An Actor Prepares, Stanislavski dealt with the inner imaginative processes. In the second Building a Character, he concentrated on the body, the voice and other physical means of expression. In Creating a Role, the third book, he describes the elaborate preparation that precedes actual performance. Creating a Role "describes the elaborate marination that precedes the acutal performance. The analyses of Othello and The Inspector General, which make up Parts Two and Three, show a mind cutting through text like an inspired psneumatic-drill…Altogether Creating a Role is a brilliant little treatise and a careful reading is worth several lessons in almost any English acting academy" (Charles Marowitz, The Observer)

    Creating a Role
  4. An Actor's Work

    • 762 páginas
    • 27 horas de lectura

    27 The External Creative State in Performance -- 28 General Creative State in Performance -- 29 The 'System' -- Appendices -- Endnotes -- Glossary of Key Terms -- Afterword by Anatoly Smeliansky

    An Actor's Work