Nancy Spector Libros

An exploration of the artist's powerful evocations of statelessness, otherness and denial.

This revised and redesigned edition of the Guggenheim Museum's guide to its New York collection is a concise primer on art of the late 19th to the early 21st centuries Revised, updated, and completely redesigned, the fourth edition of the Guggenheim Museum's popular guide to its New York collection is a beautifully produced volume, not only a handy overview of the museum's holdings but also a concise, engaging primer on the art of the late 19th through the early 21st centuries. Organized alphabetically, the book consists of entries on more than 170 of the most important paintings, sculptures, photographs, videos, site-specific installations, and other works in the collection by artists from Marina Abramovic to Maurizio Cattelan to Julie Mehretu to Gilberto Zorio. Also included are definitions of key terms and concepts of modern art, from "Appropriation" to "Non-Objective" to "Postcolonial" and beyond. The Guggenheim Museum Collection is beloved for this wealth of masterpieces by leading modern artists, such as Marc Chagall, Vasily Kandinsky, and Pablo Picasso. Reflecting the recent growth in the collection, this edition of the guide includes new entries on Romare Bearden, Tacita Dean, Cao Fei, David Hammons, Catherine Opie and Adrian Piper, among many others. The text is by the museum's curators as well as prominent authors and scholars, including Homi Bhabha, Tom Crow, Nikki Greene and Jeffrey Schnapp.

The text is by the museum's curators as well as prominent authors and scholars, including Dore Ashton, Gary Garrels, and Rosalind Krauss."--BOOK JACKET.

"Hailed simultaneously as a provocateur, prankster and tragic poet of our times, Italian artist Maurizio Cattelan has created some of the most unforgettable images in recent contemporary art--most notoriously with "The Ninth Hour," his 1999 sculpture of Pope John Paul II struck by a meteorite. Cattelan's subjects range widely, being derived from popular culture, history and organized religion; while bold and irreverent, the work is also deadly serious in its scathing cultural critique. Maurizio Cattelan: All accompanies the Guggenheim Museum's retrospective survey of the artist. For the exhibition, the museum has devised a site-specific installation intended to sidestep the totalizing effect of a retrospective, and for this catalogue the museum has produced an equally unique response to this dilemma and to the conventions of the catalogue format. All is a faux-leather-bound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible. The volume catalogues almost every work of Cattelan's from the late '80s to the present within a double-column page format, reproducing them in full color with accompanying entries. One of the wittiest and most beautiful art books of recent years, All includes a detailed critical overview by Nancy Spector, documenting not only Cattelan's artistic output but also his ongoing activities as a curator, editor and publisher, plus a comprehensive exhibition history and bibliography. Needless to say, All is indeed the definitive Cattelan bible."--Publisher description

An updated edition of the definitive monograph on Maurizio Cattelan--provocateur, prankster and tragic poet of our times The Guggenheim Museum's sold-out publication Maurizio Cattelan: Allis returning to print. Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960) has created some of the most unforgettable images in contemporary art--most notoriously "The Ninth Hour" (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan's subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques. The second edition of Allupdates the catalogue that accompanied the Solomon R. Guggenheim Museum's 2011-12 retrospective survey of the artist. For this exhibition, Cattelan sidestepped the totalizing effect of a retrospective by devising a site-specific installation in which his entire oeuvre was suspended from the oculus of the museum's iconic rotunda. This book offers an equally unique response to the conventions of the catalogue. It is a faux-leatherbound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible. The volume details almost every work of Cattelan's from the late '80s to the present within a double-column page format, featuring full-color reproductions and accompanying entries. The revised edition describes the artist's return to art making after a five-year "retirement" with a special, ongoing project opening at the Guggenheim in May 2016. It also features a redesigned cover and installation images of the exhibition All. Nancy Spector has augmented her critical overview of Cattelan--which documents not only his artistic output but also his ongoing activities as a curator, editor and publisher--with a new coda. Since its original publication, Allhas become the Cattelan bible, and this revised edition exploring the latest chapter of the artist's influential career ensures it will remain the definitive source on his work for years to come.

Japanese artist Hiroshi Sugimoto is renowned for his elegant photographic series of seascapes, theaters, museum dioramas, and Buddhist statuary. His new series presents life-size, black-and-white portraits of historical figures -- Henry VIII and each of his wives, Voltaire, Benjamin Franklin, Oscar Wilde, and Emperor Hirohito, among others -- photographed in wax museums, isolated against black backgrounds, and dramatically lit so as to create haunting Rembrandtesque images. The series, which also includes a 25-foot, five-panel photograph of a wax effigy of Leonardo's Last Supper, emulates the grand tradition of portraiture and recalls the wax figures' sources in famous paintings by Holbein, David, van Dyck, and Vermeer.This book, published to accompany an exhibition of commissioned work for the Deutsche Guggenheim Berlin that also travels to the Guggenheim Museo Bilbao, includes texts by a team of art historians and an interview with Sugimoto, offering fresh insights into the work of this contemporary artist.