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AROTIN & SERGHEI – Infinite Screen

From Light Cells to Monumental Installations at Centre Pompidou

Parámetros

  • 304 páginas
  • 11 horas de lectura

Más información sobre el libro

AROTIN & SERGHEI’s Infinite Screen reflects contemporary visuality. As an evolutive inter-medial installation, it investigates the idea of the infinite beyond the limits of our screens, the origins of light and the iconography of digital information. Like luminous and transcendent symphonies of light, their intermedial works of art describe both, the macrocosm and the microcosm of our world, using screens as symbols and portals to infinity within constantly evolving parameters of scientific, mythological, philosophical, and architectural frameworks. This book retraces the artist’s supraliminal work-in-progress, from the intermedial paintings of red, green, and blue Light Cells—the DNA of today’s visual language—to the monumental installations at Ars Electronica, the Venice Biennale, the Fondation Beyeler, the Kunsthistorisches Museum Vienna, and at Centre Pompidou Paris.

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AROTIN & SERGHEI – Infinite Screen, Gerfried Stocker

Idioma
Publicado en
2023
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Título
AROTIN & SERGHEI – Infinite Screen
Subtítulo
From Light Cells to Monumental Installations at Centre Pompidou
Idioma
Inglés
Editorial
Hatje Cantz
Publicado en
2023
Formato
Tapa dura
Páginas
304
ISBN10
3775745459
ISBN13
9783775745451
Serie
Etiquetas
No ficción
Descripción
AROTIN & SERGHEI’s Infinite Screen reflects contemporary visuality. As an evolutive inter-medial installation, it investigates the idea of the infinite beyond the limits of our screens, the origins of light and the iconography of digital information. Like luminous and transcendent symphonies of light, their intermedial works of art describe both, the macrocosm and the microcosm of our world, using screens as symbols and portals to infinity within constantly evolving parameters of scientific, mythological, philosophical, and architectural frameworks. This book retraces the artist’s supraliminal work-in-progress, from the intermedial paintings of red, green, and blue Light Cells—the DNA of today’s visual language—to the monumental installations at Ars Electronica, the Venice Biennale, the Fondation Beyeler, the Kunsthistorisches Museum Vienna, and at Centre Pompidou Paris.