Musiklandschaften zwischen Rhein und Weser

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This compilation explores the rich musical landscapes between the Rhine and Pader, offering insights into the cultural dynamics of Westfalen during the Early Modern period. It begins with an introduction to the region's musical geography and examines the connections and divisions within Westfalen's historical context. The text addresses how historical constructs of space relate to creative environments. It highlights the mobility and cultural exchanges of early modern musicians in Westfalen, providing a regional historical comparison. The interplay of Dutch and Italian musical culture at the lippischen court around 1600 is also discussed, along with the role of Agostino Steffani, an opera composer, as a bishop in Paderborn from 1710 to 1718. The work delves into familial networks and interconfessional cultural transfers among organ builders and organists, as well as the functions of noble music practices in the Hellweg region. Insights into the Paderborn Cathedral Choir are provided, alongside the contributions of Ortensio Mauro, a court secretary and poet in Paderborn and Hannover. The transfer and printing of musical materials, particularly Italian scores, illustrate cultural exchanges in the Early Modern era. Additionally, the adaptation and independence in Paderborn's hymnals are examined, concluding with a discussion on church music in Westfalen, encompassing repertoire, institutions, and performance practices.