The Cinema of Sergei Parajanov

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Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvelous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs.This is the first English-language book on the director’s films and the most comprehensive study of his work. James Steffen provides a detailed overview of Parajanov’s artistic career: his identity as an Armenian in Georgia and its impact on his aesthetics; his early films in Ukraine; his international breakthrough in 1964 with ‘Shadows of Forgotten Ancestors’;his challenging 1969 masterpiece, ‘The Color of Pomegranates’, which was reedited against his wishes; his unrealized projects in the 1970s; and his eventual return to international prominence in the mid-to-late 1980s with ‘The Legend of the Surami Fortress’ and ‘Ashik-Kerib’