Film/Music Analysis

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Focusing on the interplay between music and visuals, this book repositions film music within Film Studies, challenging the dominance of musicologists in the field. By integrating Neoformalism, Gestalt Psychology, and Leonard B. Meyer's musicology, it treats music as an essential cinematic element. The study provides scholars and students with analytical tools to explore the significant influence of music in film, fostering a deeper understanding of its role in the cinematic experience.