Sculpture since 1945

Since 1945, the evolution of sculpture has accelerated, transforming it from a fixed category into a dynamic field. Recent decades have seen the modernist conception of sculpture in the UK, America, and Europe challenged, with nationality and politics entering public discourse. This groundbreaking account of post-War sculpture by Andrew Causey examines avant-garde works alongside contemporary events, festivals, commissions, the marketplace, and the evolving roles of museums. He delves into the use of everyday objects and the significance of sculptural context, discussing both figurative and non-figurative works, including Anti-form, Minimalism, experimental forms, Earth Art, landscape sculpture, installation, and Performance Art. The comprehensive overview of post-War sculpture presented here identifies key events and themes that will shape future discussions. Pre-publication reviews highlight Causey's adept navigation through the complexities of post-War sculpture, with Professor Stephen Bann noting the comprehensive nature of his work. Elizabeth Cowling praises the balance of institutional analysis and individual artist commentary, while Sir Anthony Caro describes it as a clear guide to the emerging significance of modern sculpture as a major art form.