Más información sobre el libro
The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context.
Compra de libros
Eikones: Enthüllen und Verbergen in der Vormoderne / Revealing and Concealing in the Premodern Period, Henriette Hofmann, Barbara Schellewald, Sophie Schweinfurth, Gerald Wildgruber
- Idioma
- Publicado en
- 2021
- Encuadernación
- (Tapa blanda)
Métodos de pago
Nadie lo ha calificado todavía.
- Título
- Eikones: Enthüllen und Verbergen in der Vormoderne / Revealing and Concealing in the Premodern Period
- Idioma
- Alemán
- Editorial
- Brill U Fink
- Publicado en
- 2021
- Formato
- Tapa blanda
- Páginas
- 311
- ISBN10
- 3770562771
- ISBN13
- 9783770562770
- Serie
- Etiquetas
- No ficción, Arte / Cultura, Ciencias sociales, Tema histórico, Historia, Temática filosófica, Filosofía, Cultura y Sociedad, Fuentes Históricas, Arte Visual
- Descripción
- The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context.