Intertextuality in Literature and Film

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Starting with Dostoevsky's Bakhtin and Nabokov as Intertextualists, by John Burt Foster, Jr. A Character's Indictment of Authorial The Parody of Texts in Roberto G. Fernandez's Fiction, by Jorge Febles Federated Balzac's Lost Illusions and Melville's Pierre, by Benjamin Sherwood Lawson Texts Engendering A Québecois Rewriting of American Novels, by Anne Marie Miraglia Silone's "Moses" at the Bitter Exodus as Subtext, by Marisa Gatti-Taylor Poetry and Intertextuality in the Works of José Angel Valente, by Anita M. Hart Placing Source in Greed and McTeague, by Mary Lawlor Desica's Bicycle Thieves and the Attack on the Classical Hollywood Film, by Gerard Molyneaux Pictures of Reference and Reality in Two Script Versions of Potemkin, by Bruce E. Fleming The Compound Genre Billy the Kid Versus Dracula meets The Harvey Girls, by Adam Knee Emblematic Benches by Tom Phillips, by Erdmute Wenzel WhiteElaine D. Cancalon and Antoine Spacagna teach in the Department of Modern Languages at Florida State University.