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Sienese Painting after the Black Death

Artistic Pluralism, Politics, and the New Art Market

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Asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She demonstrates that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture's changing needs.

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Sienese Painting after the Black Death, Judith B. Steinhoff

Idioma
Publicado en
2014
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Título
Sienese Painting after the Black Death
Subtítulo
Artistic Pluralism, Politics, and the New Art Market
Idioma
Inglés
Publicado en
2014
Formato
Tapa blanda
Páginas
278
ISBN10
1107686695
ISBN13
9781107686694
Serie
Descripción
Asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She demonstrates that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture's changing needs.