Parámetros
- 64 páginas
- 3 horas de lectura
Más información sobre el libro
Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.
Compra de libros
Eyewitness Guides - 98: Perspective, Alison Ambrose, Alison Cole
- Idioma
- Publicado en
- 1992
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- Estado del libro
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- 6,99 €
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- Título
- Eyewitness Guides - 98: Perspective
- Subtítulo
- Discover the Theory and Techniques of Perspective, from the Renaissance to Pop Art
- Idioma
- Inglés
- Autores
- Alison Ambrose, Alison Cole
- Editorial
- Dorling Kindersley
- Publicado en
- 1992
- Formato
- Tapa dura
- Páginas
- 64
- ISBN10
- 0751361534
- ISBN13
- 9780751361537
- Serie
- Etiquetas
- No ficción, Arte / Cultura, Bellas artes, Pintura y escultura, Arte, Catálogos de exposiciones, Historia y teoría del arte, Historia del arte
- Descripción
- Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.