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Idioms of Uncertainty

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  • 264 páginas
  • 10 horas de lectura

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Goethe's essays, rich in literary, aesthetic, and scientific content, have not received the critical attention they merit, particularly regarding their textuality and place in literary history. In this analysis, Peter Burgard examines the rhetorical strategies, structure, and style of key essays, linking them to the traditions established by Montaigne and Johnson. He critiques the systematic philosophy within these essays and explores their role in the Laocoön debate, a significant aesthetic dialogue of the eighteenth century. By revealing the connection between Goethe's anti-systematic, dialogic approach and the theme of community in his literary works, Burgard highlights the broader social implications of the essay genre and illustrates how this analysis can enhance understanding of Goethe's entire body of work. He develops a theory of the essay as a genre, drawing on twentieth-century theoretical perspectives, including Lukacs, Bense, and Adorno, as well as Bakhtin, Kristeva, Barthes, Derrida, and Rorty's concept of literary-philosophical conversation. This study is valuable for those interested in genre and literary theory and challenges existing clichés about German literature, making it relevant for Goethe scholars and researchers of the eighteenth century across various disciplines and borders.

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Idioms of Uncertainty, Peter J. Burgard

Idioma
Publicado en
1992
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Estado del libro
Bueno
Precio
6,99 €

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Título
Idioms of Uncertainty
Idioma
Inglés
Publicado en
1992
Formato
Tapa dura
Páginas
264
ISBN10
0271008458
ISBN13
9780271008455
Serie
Descripción
Goethe's essays, rich in literary, aesthetic, and scientific content, have not received the critical attention they merit, particularly regarding their textuality and place in literary history. In this analysis, Peter Burgard examines the rhetorical strategies, structure, and style of key essays, linking them to the traditions established by Montaigne and Johnson. He critiques the systematic philosophy within these essays and explores their role in the Laocoön debate, a significant aesthetic dialogue of the eighteenth century. By revealing the connection between Goethe's anti-systematic, dialogic approach and the theme of community in his literary works, Burgard highlights the broader social implications of the essay genre and illustrates how this analysis can enhance understanding of Goethe's entire body of work. He develops a theory of the essay as a genre, drawing on twentieth-century theoretical perspectives, including Lukacs, Bense, and Adorno, as well as Bakhtin, Kristeva, Barthes, Derrida, and Rorty's concept of literary-philosophical conversation. This study is valuable for those interested in genre and literary theory and challenges existing clichés about German literature, making it relevant for Goethe scholars and researchers of the eighteenth century across various disciplines and borders.