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Waterhouse

John William Waterhouse

Parámetros

  • 192 páginas
  • 7 horas de lectura

Más información sobre el libro

John William Waterhouse is among the most popular Victorian artists and many of his paintings, such as The Lady of Shallot, Hylas and the Nymphs and Ophelia, have become icons of femininity recognized the world over. With their compelling composition, glowing color and Impressionist-inflected technique, these paintings are admired for their beauty, yet at the same time they have the power to transport the viewer into a romantic world of myth and legend. Waterhouse's depictions of female beauty reflect his age's complex and ambivalent attitudes towards women, in which Victorian ideals of sentiment and duty commingled with less noble undercurrents of erotic desire and misogyny. Aubrey Noakes sets out to discover the forgotten artist behind so much good work familiar to most of us now, chiefly in reproductions and in visits to provincial galleries, and he succeeds in this provocative and lively study.

Compra de libros

Waterhouse, Aubrey Noakes

Idioma
Publicado en
2005
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Estado del libro
Bueno
Precio
63,99 €

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Título
Waterhouse
Subtítulo
John William Waterhouse
Idioma
Inglés
Editorial
Chaucer Press
Publicado en
2005
Formato
Tapa dura
Páginas
192
ISBN10
1904449395
ISBN13
9781904449393
Serie
Descripción
John William Waterhouse is among the most popular Victorian artists and many of his paintings, such as The Lady of Shallot, Hylas and the Nymphs and Ophelia, have become icons of femininity recognized the world over. With their compelling composition, glowing color and Impressionist-inflected technique, these paintings are admired for their beauty, yet at the same time they have the power to transport the viewer into a romantic world of myth and legend. Waterhouse's depictions of female beauty reflect his age's complex and ambivalent attitudes towards women, in which Victorian ideals of sentiment and duty commingled with less noble undercurrents of erotic desire and misogyny. Aubrey Noakes sets out to discover the forgotten artist behind so much good work familiar to most of us now, chiefly in reproductions and in visits to provincial galleries, and he succeeds in this provocative and lively study.