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Modern Chinese Literature from Taiwan: Notes of a Desolate Man

Parámetros

  • 184 páginas
  • 7 horas de lectura

Más información sobre el libro

Winner of the China Times Novel Prize, this postmodern, first-person narrative centers on a contemporary Taiwanese gay man reflecting on his life, loves, and intellectual influences. The narrator, Xiao Shao, recalls friends and lovers while grappling with the death of his childhood friend, Ah Yao, from AIDS complications. This loss sharpens Shao's erudite and erotic reflections on mortality. The story oscillates between humor and despair as he confronts Ah Yao's risky lifestyle, radical activism, and eventual demise; the fragility of love; the power of desire; the comfort found in writing; and the disconnection of a younger generation captivated by video games, all while navigating life on the fringes of Taiwanese society. Shao's journey through a rich landscape of metaphor and allusion—from Fellini and Levi-Strauss to classical Chinese poetry—serves as a shield against the inevitability of time and death. The narrative's exploration of marginalized sexuality underscores Taiwan's vibrant yet precarious existence near mainland China. The translation by Howard Goldblatt and Sylvia Li-chun Lin brings Chu T'ien-wen's lyrical and inventive blend of political, poetic, and sexual themes to the English-speaking audience.

Compra de libros

Modern Chinese Literature from Taiwan: Notes of a Desolate Man, Chu T'ien-wen, Howard Goldblatt, Sylvia Li-Chun Lin

Idioma
Publicado en
2000
Encuadernación
(Tapa blanda)
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Título
Modern Chinese Literature from Taiwan: Notes of a Desolate Man
Idioma
Inglés
Publicado en
2000
Formato
Tapa blanda
Páginas
184
ISBN10
0231116098
ISBN13
9780231116091
Serie
Descripción
Winner of the China Times Novel Prize, this postmodern, first-person narrative centers on a contemporary Taiwanese gay man reflecting on his life, loves, and intellectual influences. The narrator, Xiao Shao, recalls friends and lovers while grappling with the death of his childhood friend, Ah Yao, from AIDS complications. This loss sharpens Shao's erudite and erotic reflections on mortality. The story oscillates between humor and despair as he confronts Ah Yao's risky lifestyle, radical activism, and eventual demise; the fragility of love; the power of desire; the comfort found in writing; and the disconnection of a younger generation captivated by video games, all while navigating life on the fringes of Taiwanese society. Shao's journey through a rich landscape of metaphor and allusion—from Fellini and Levi-Strauss to classical Chinese poetry—serves as a shield against the inevitability of time and death. The narrative's exploration of marginalized sexuality underscores Taiwan's vibrant yet precarious existence near mainland China. The translation by Howard Goldblatt and Sylvia Li-chun Lin brings Chu T'ien-wen's lyrical and inventive blend of political, poetic, and sexual themes to the English-speaking audience.