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On This Earth, A Shadow Falls

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  • 192 páginas
  • 7 horas de lectura

Más información sobre el libro

In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorializing the vanishing natural grandeur of East Africa. Focusing on some of the world’s last great populations of large mammals—elephants, giraffes, lions, gorillas, and their kin—he created two of the new century’s most influential photographic books: <i>On This Earth </i>(2005) and <i>A Shadow Falls </i>(2009). His iconic portraits of these majestic animals express an empathy usually reserved for human subjects. The magisterial <i>On This Earth, A Shadow Falls </i>collects the most memorable images from Brandt’s first two books, along with their accompanying essays. A testament to the bookmaker’s craft, it is the first volume on Brandt’s work to capture the superb quality of his remarkable, large-format prints, which are notable for their velvety blacks and tonal subtleties. At 15 x 13 inches it is substantially larger than his previous books, and it comes in a handsome cloth binding with a tipped-in plate on the front.

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On This Earth, A Shadow Falls, Nick Brandt

Idioma
Publicado en
2010
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Título
On This Earth, A Shadow Falls
Idioma
Inglés
Publicado en
2010
Formato
Tapa dura
Páginas
192
ISBN10
0615385745
ISBN13
9780615385747
Serie
Descripción
In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorializing the vanishing natural grandeur of East Africa. Focusing on some of the world’s last great populations of large mammals—elephants, giraffes, lions, gorillas, and their kin—he created two of the new century’s most influential photographic books: <i>On This Earth </i>(2005) and <i>A Shadow Falls </i>(2009). His iconic portraits of these majestic animals express an empathy usually reserved for human subjects. The magisterial <i>On This Earth, A Shadow Falls </i>collects the most memorable images from Brandt’s first two books, along with their accompanying essays. A testament to the bookmaker’s craft, it is the first volume on Brandt’s work to capture the superb quality of his remarkable, large-format prints, which are notable for their velvety blacks and tonal subtleties. At 15 x 13 inches it is substantially larger than his previous books, and it comes in a handsome cloth binding with a tipped-in plate on the front.