Parámetros
- 394 páginas
- 14 horas de lectura
Más información sobre el libro
Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Compra de libros
Dynamis of the Image, Chiara Cappelletto, Emmanuel Alloa
- Idioma
- Publicado en
- 2019
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- (Tapa dura)
Métodos de pago
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- Título
- Dynamis of the Image
- Subtítulo
- Moving Images in a Global World (Contact Zones)
- Idioma
- Inglés
- Autores
- Chiara Cappelletto, Emmanuel Alloa
- Editorial
- De Gruyter
- Publicado en
- 2019
- Formato
- Tapa dura
- Páginas
- 394
- ISBN10
- 3110528746
- ISBN13
- 9783110528749
- Serie
- Etiquetas
- Tema histórico, Arte, Catálogos de exposiciones, Serie, Historia del arte, Crítica, Catálogos, Teoría del arte
- Descripción
- Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.