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Discovering the Forbidden City

发现紫禁城: Jiang Guofang and His Oil Paintings of the Imperial Palace / 姜国芳与他的宫廷油画

Parámetros

  • 223 páginas
  • 8 horas de lectura

Más información sobre el libro

In the course of creating the Forbidden City series of works, Jiang Guofang derived inspiration from those gorgeous rooms and Chinese traditional decorations and received more inspiration from the people who lived in them princesses, empresses and imperial concubines. But the painter did not want to recreate true history in the traditional sense, nor did he want to put rigidly on the canvas the scenes of that time and the way the specific people expressed their thought. The painter had no intention to explain the past era. The aspect of the pictures as records of actual events was covered up by the non-historic method of creation. Jiang Guofang has actually imparted a new content to historical themes and made it a way of expressing his personal concept of art. The painter himself said, I look upon all the pictures as cultural products. Like all other cultural products, they must be created and inspired by certain things. But I am not writing a history book, nor do I want to

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Discovering the Forbidden City, Jiang Guofang, 姜国芳

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Publicado en
2009
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41,99 €

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Título
Discovering the Forbidden City
Subtítulo
发现紫禁城: Jiang Guofang and His Oil Paintings of the Imperial Palace / 姜国芳与他的宫廷油画
Publicado en
2009
Formato
Tapa blanda
Páginas
223
ISBN10
7119058274
ISBN13
9787119058276
Serie
Descripción
In the course of creating the Forbidden City series of works, Jiang Guofang derived inspiration from those gorgeous rooms and Chinese traditional decorations and received more inspiration from the people who lived in them princesses, empresses and imperial concubines. But the painter did not want to recreate true history in the traditional sense, nor did he want to put rigidly on the canvas the scenes of that time and the way the specific people expressed their thought. The painter had no intention to explain the past era. The aspect of the pictures as records of actual events was covered up by the non-historic method of creation. Jiang Guofang has actually imparted a new content to historical themes and made it a way of expressing his personal concept of art. The painter himself said, I look upon all the pictures as cultural products. Like all other cultural products, they must be created and inspired by certain things. But I am not writing a history book, nor do I want to