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Angel's World

The New York Photographs of Angelo Rizzuto

Parámetros

  • 128 páginas
  • 5 horas de lectura

Más información sobre el libro

The fascinating search for meaning in the life and work of a little-known photographer. In this profound and disturbing book, noted photo historian Michael Lesy is in search of a man who left a strange archive of sixty thousand images to the Library of Congress. We learn that he was Angelo Rizzuto, but he called himself "the little Angel." He lived in a single, run-down room in a crummy hotel. We learn that every day he left at 2:00 p.m. to photograph New York City obsessively, from above and on the streets. We see the cityscapes he took, compassionate photographs of children and confrontational pictures of angry women. We see his anguished self-portrait taken almost every day. These are the obvious discoveries. What is not obvious is why; what did it all mean? In his thoughtful and erudite essay Lesy has fashioned nothing less than a psychoanalytic dissection of a tortured soul in an account that is both deeply unsettling and satisfying at the same time. 90 duotone photographs

Compra de libros

Angel's World, Michael Lesy, Angelo Rizzuto

Idioma
Publicado en
2006
Encuadernación
(Tapa dura),
Estado del libro
Bueno
Precio
23,49 €

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Título
Angel's World
Subtítulo
The New York Photographs of Angelo Rizzuto
Idioma
Inglés
Publicado en
2006
Formato
Tapa dura
Páginas
128
ISBN10
0393061116
ISBN13
9780393061116
Serie
Descripción
The fascinating search for meaning in the life and work of a little-known photographer. In this profound and disturbing book, noted photo historian Michael Lesy is in search of a man who left a strange archive of sixty thousand images to the Library of Congress. We learn that he was Angelo Rizzuto, but he called himself "the little Angel." He lived in a single, run-down room in a crummy hotel. We learn that every day he left at 2:00 p.m. to photograph New York City obsessively, from above and on the streets. We see the cityscapes he took, compassionate photographs of children and confrontational pictures of angry women. We see his anguished self-portrait taken almost every day. These are the obvious discoveries. What is not obvious is why; what did it all mean? In his thoughtful and erudite essay Lesy has fashioned nothing less than a psychoanalytic dissection of a tortured soul in an account that is both deeply unsettling and satisfying at the same time. 90 duotone photographs