Alastair Reynolds Libros

A superb collection of short fiction from 'the mastersinger of space opera' THE TIMES

Photos that explores the similarities among celebration rituals in several indigenous cultures around the world and compares them with celebrations in the United States. Includes a map and an author's note.

An "engaging and awe-inspiring"(SF Signal) space opera from the critically-acclaimed author of the Revelation Space series. Six million years ago, at the dawn of the star-faring era, Abigail Gentian fractured herself into a thousand male and female clones, which she called shatterlings. She sent them out into the galaxy to observe and document the rise and fall of countless human empires. Since then, every two hundred thousand years, they gather to exchange news and memories of their travels. Only there is no Gathering. Someone is eliminating the Gentian line. And now Campion and Purslane-two shatterlings who have fallen in love and shared forbidden experiences-must determine exactly who, or what, their enemy is, before they are wiped out of existence...

This anthology features twenty-six compelling stories that explore diverse themes in science fiction, including the fragility of pristine worlds and the complexities of human relationships marked by mistrust and isolation. It delves into issues of alienation, the rebranding of slavery, and the criminalization of bodily autonomy. The narratives highlight ongoing struggles against injustice and the necessity of reexamining past rebellions. Additionally, it confronts the implications of AI on storytelling, offering a thought-provoking reflection on the future of narrative itself.

Panoply is a small, efficient police force, dedicated to maintaining the rule of democracy among the ten thousand disparate city states orbiting the planet Yellowstone.Ingvar Tench was one of Panoply's most experienced operatives. So why did she walk alone and virtually unarmed into a habitat with a vicious grudge against her organisation?As his colleagues pick up the pieces, Dreyfus must face his conscience. Four years ago, when an investigation linked to one of his most dangerous adversaries got a little too personal, Dreyfus arranged for Tench to continue the enquiry by proxy.In using her - even though he had his reasons - did Dreyfus also put her in the line of fire?And what does Tench's misadventure tell him about an enemy he had hoped was dormant?Praise for Alastair Reynolds:'A leading light of the new British space opera' Los Angeles Review of Books on Alastair Reynolds'One of the giants of the new British space opera' io9 on Alastair Reynolds'[Reynolds is] a mastersinger of the space opera' The Times (UK) on Blue Remembered Earth'[Reynolds] is the most gifted hard SF writers working today' Publishers Weekly on Beyond the Aquila Rift

"[A] tour de force... Ravishingly inventive."-Publishers Weekly The highly-acclaimed first novel in the Revelation Space universe-a debut that has redefined the space opera with a staggering journey across vast gulfs of time and space to confront the very nature of reality itself... Nine hundred thousand years ago, something annihilated the Amarantin civilization just as it was on the verge of discovering space flight. Now one scientist, Dan Sylveste, will stop at nothing to solve the Amarantin riddle before ancient history repeats itself. With no other resources at his disposal, Sylveste forges a dangerous alliance with the cyborg crew of the starship Nostalgia for Infinity. But as he closes in on the secret, a killer closes in on him. Because the Amarantin were destroyed for a reason, and if that reason is uncovered, the universe and reality itself could be irrevocably altered...

"A photographic essay about the Maasai people in Kenya, traditionally nomadic herders, exploring the contemporary challenges they face focusing on environmental changes such as the overgrazing of land and the threat of wildlife extinction and how the Maasai are adapting their agricultural practices and lifestyle while preserving their culture"--Provided by publisher. Includes Maasai proverbs. Suggested level: primary, intermediate.

The Inhibitors are back and Humanity is doomed! Many, many millennia ago, the Inhibitors seeded the universe with machines designed to detect intelligent life - and then to suppress it. But after hundreds of millions of years, the machines started to fail and intelligent cultures started to emerge. Then Dr Dan Sylveste and the crew of Infinity discovered what had happened to the long-vanished Amarantin race ...and awakened the Inhibitors. On Yellowstone, where no one is quite who they appear, the Inquisitor and the planet's Most Wanted War Criminal are watching as the Inhibitors turn a small group of planets into raw materials. Whatever they are building with those materials is not going to be good for Humanity. Once again, Al Reynolds has produced a stunning, universe-spanning space opera of mind-blowing proportions. Big in size, big in concepts, REDEMPTION ARK will leave you gasping at its audacity and breathless at its conclusion. This is British SF at its absolute best.

Late in the twenty-sixth century, the human race has advanced enough to accidentally trigger the Inhibitors - alien killing machines designed to detect intelligent life and destroy it. The only hope for humanity lies in the recovery of a secret cache of doomsday weapons -and a renegade named Clavain who is determined to find them. But other factions want the weapons for their own purposes - and the weapons themselves have another agenda altogether...

The once-utopian Chasm City—a doomed human settlement on an otherwise inhospitable planet—has been overrun by a virus known as the Melding Plague, capable of infecting any body, organic or computerized. Now, with the entire city corrupted—from the people to the very buildings they inhabit—only the most wretched sort of existence remains. For security operative Tanner Mirabel, it is the landscape of nightmares through which he searches for a low-life postmortal killer. But the stakes are raised when his search brings him face to face with a centuries-old atrocity that history would rather forget.