The evolution of Chinese art since the 1950s showcases a remarkable transformation influenced by various ideologies, including Chinese philosophy and revised Marxist thought. This work delves into the journey from traditional realism to a globalized contemporary art scene, highlighting the impact of the 1980s ideological shift. Through the lens of an activist, critic, and historian, the book offers a detailed exploration of the unique interactions between Chinese artists and global art movements, presenting a rich history of this complex cultural phenomenon.
