Catherine Opie Orden de los libros

Face to Face presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. While the three artists collected here share a wide set of historical touchstones, each deploys the camera Dean exploits cinema’s capacity for duration; Lacombe takes her cameras out on assignment; Opie works in the tradition of the studio photograph. Often overlapping in the subjects depicted, Face to Face offers an opportunity to look closely at bracing, intimate, and resonant portraits of the seminal thinkers and makers that these artists have encountered across the fields of music, painting, photography, film, and literature, among them Hilton Als, Maya Angelou, Richard Avedon, Joan Didion, David Hockney, Joan Jonas, Patti Smith, Kara Walker, and many other others. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.

Catherine Opies fotografische Arbeiten beinhalten Porträtaufnahmen ebenso wie amerikanische Stadtlandschaften und reichen dabei von großformatigen Farbfotos bis zu kleinformatigen Abzügen in Schwarz-Weiß. Den konzeptuellen Rahmen ihrer verschiedenen fotografischen Werkreihen bildet das Interesse am Kulturporträt.

Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth.

Catalog of an exhibition held at the Solomon R. Guggenheim Museum, New York, Sept. 26, 2008-Jan. 7, 2009.