The study explores the significant evolution of Iran's film industry following the 1979 Islamic Revolution, highlighting its unique contributions to global cinema. It examines the influence of neorealism, a transformative cinematic movement, on post-revolutionary Iranian films. By analyzing Abbas Kiarostami's "Where Is My Friend's House," the paper identifies and connects the distinctive features of both Italian and Iranian neorealism, shedding light on their shared characteristics and the broader implications for film history.
