Focuses on the role of images in the culture of fear in contemporary art and on the development of an 'aesthetics of fear'. This book offers a broad look at the ways in which fear pervades various aspects of our lives and defines how we relate to and interpret the world around us.
Exploring the interplay between memory and the moving image, this analysis delves into how cinema shapes contemporary understandings of memory. It highlights the significance of forgetting and its impact on contested histories, examining artworks by various artists that engage with themes of memory, amnesia, and trauma. By integrating neuro-psychological insights, the book sheds light on the complexities of memory politics in a global context, featuring the works of notable creators such as Kerry Tribe and Shona Illingworth.