Kirin Narayan es una autora que profundiza en el poder de la narración y su profundo impacto en la enseñanza religiosa, como lo demuestra su trabajo antropológico sobre hombres santos hindúes en la India. Su escritura a menudo se basa en el folclore y las tradiciones orales, entrelazando perspicacias etnográficas con formas literarias como novelas y memorias. El enfoque de Narayan se extiende a las narrativas familiares y las experiencias de la diáspora, enriqueciendo su trabajo con temas de búsquedas espirituales y comprensión cultural. Su enfoque distintivo radica en tender puentes entre la investigación académica y la narrativa convincente, ofreciendo a los lectores una exploración rica y de múltiples capas de las experiencias humanas.
Anton Chekhov is revered as a boldly innovative playwright and short story writer. This title introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process; his life as a writer through accounts by his friends, family, and lovers; and his venture into nonfiction through his book Sakhalin Island.
Kirin Narayan's exploration of the Vishwakarma cave temple in Bombay intertwines personal history with scholarly research. Inspired by her father's stories, she delves into the temple's significance, blending insights from various disciplines such as archaeology and art history. The book is a captivating mix of memoir and detective narrative, revealing centuries of history while contemplating themes of devotion and connection to heritage. Narayan's writing illuminates the relationship between place, family, and the divine, making it a profound journey of discovery.
This book by anthropologist Kirin Narayana thoughtful exploration of Kangra women s singing over the past thirty yearsis part ethnography, part travelogue, part musical discovery, part poetry and poetry translation, and three parts memoir. Like the intricate geometries of mandalu patterns drawn in the courtyard outside a home or clothes meticulously stitched, well-crafted songs identify a woman as smart, adept, and skilledand so are a source of status. Kangra singers speak of singing as enriching their lives; the well-being generated by shared songs brings feelings of accomplishment, companionship, happiness, solace, peacefulness, even good health and recovery from illness. The concept Narayan keeps finding herself returning to, however, is creativitythe everyday creativity that brings well-being. In this book, the second in our new Big Issues in Music series, Narayan beautifully draws out the particulars of everyday creativity in women s singing in Kangra, as well as giving readers the more general gift of a new way of thinking of creativityin music and the arts, in crafts, and in everyday life."