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Focusing on the intersection of war and festivity, this work offers a transcription and translation of a 16th-century manuscript by Rudolf von Deventer, an artillery expert for Danish King Frederik II. It details firearm production for defense against enemies and fireworks for entertainment, featuring vibrant illustrations of battle scenes and mechanical devices. This text provides a unique glimpse into Northern European military technology and cultural practices during the Early Modern period, complemented by insights from historian Pamela H. Smith.

'A lover of light': in 1912, a French critic used these words to describe the great Danish painter Peder Severin Kroyer, who had close ties to the French art scene for more than two decades. Kroyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Kroyer's own development as a painter, on the artists' colony in Skagen, and on Danish art history in general. In Kroyer and Paris. French Connections and Nordic Colours , art historians Mette Harbo Lehmann and Dominique Lobstein describe Kroyer's artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Kroyer's distinctive style.

In recent years, rapid changes to Arctic environments and conditions have spurred much analysis of the melting of sea and inland ice, the opening up of new sea routes, impacts on flora and fauna, and increased access to globally desired resources. In this book the focus is directed at a more rarely considered aspect of climate-induced change in the the Arctic cultures and societies that both affect and are themselves affected by the changes. For the people of the Arctic, change provokes and re-emphasizes positions as rights- and land-holders, as well as ambivalent positions as stakeholders, developers and wardens of resources. In times characterized by such change and ambivalence, heritage offers itself as a means by which a community can meaningfully relate to both past and future; but its use (and the inclusion and exclusion of particular identity-building elements) must also be continuously negotiated. Scholars from the social and human sciences explore change and transformation from two resource-inspired they keep a constant focus on the impact of change on tangible and intangible heritage, as well as on some of the cultural and social heritage features that must themselves be considered as resources in an environment characterized by change. [ Environmental Studies, Sociology, Arctic Studies]Ã?Â?

The late Hellenistic period, spanning the 2nd and early 1st centuries BC, was a time of great tumult and violence thanks to nearly incessant warfare. At the same time the period saw the greatest expansion of Hellenistic Greek culture, including ceramics. Pakers in this volume explore problems of ceramic chonology (often based on evidence dependent on the violent nature of the period), survey trends in both production and consumption of Hellenistic ceramics particularly in Asia Minor and the Pontic region, and assess the impact of Hellenistic ceramic culture across much of the eastern Mediterranean and into the Black Sea.

This book documents the possibilities and challenges associated with using Problem-Based Learning (PBL) strategies at universities, whether nationally (in Denmark, where this book's research was conducted) or internationally. The book's contributors draw on experiences and research from their specific educational contexts and fields. Discussing and choosing teaching and learning methodologies at universities is related to questions about the role of universities in the knowledge production process. These are important questions to discuss at each level of the universities' organizational hierarchies, in order to meet the challenges of educating academics for future workplaces. At Denmark's Aalborg University, one of the solutions is the use of the PBL methodology and principles as they have been developed within the Danish educational context. Aalborg University constitutes a specific context for practicing PBL. As will become apparent from the contributions in the book, each university represents a specific and unique context for teaching and learning. Consequently, there are many aspects to consider if a university chooses to implement PBL methodologies. These include the specific societal and cultural conditions for practicing PBL, specific subject areas, students' diverse backgrounds, and the teachers' qualifications.

In late Antiquity, archaeology demonstrates lively and far-flung exchange along the river Dniester, through current Poland to the Baltic. By the 11th century the former Barbaricum had been transformed into a string of Christian kingdoms and principalities, whose parallel histories are as conspicuous as their differences. From the legendary (if possible real) migrations of the Goths in Antiquity to the Varangian guard at the imperial court of Byzantium in the late Viking Age, trans-cultural interaction complemented important historical development. This book is about aspects of the changing interactions from late Antiquity to the High Middle Ages, from Goths to Varangians, and from the Baltic to the Black Sea. The history and archaeology of these connections have been poorly exposed and investigated in modern times. The papers presented in this volume are a selection of those presented during a series of four meetings organised 2007-2009 by the "Varangian Network", an interdisciplinary network for archaeological and historical research on relations between the Baltic and the Black Sea from late Antiquity to the medieval period.

This anthology is based on the proceedings of the Third International Utzon Symposium held on April 1, 2012 in the Dar el Bacha palace, Marrakech, Morocco. The Symposium was a further development of the previous two Symposia held by the Utzon Research Center in Aalborg, Denmark and represents a collaboration between the Jorn Utzon Research Network (JURN), The Utzon Research Center, and L' Ecole Nationale d'Architecture (ENA) of Morocco. The objective of the book is to provide further information about the architecture and work of Jorn Utzon and to initiate research and enquiry on what has been coined as the 'Utzon Paradigm.' The work and practices of Jorn Utzon - in relation to dwelling, landscape, place, and making - are of exemplary, iconic, and general character, which means that the contours of a paradigm is there to be found. Future work within JURN will focus upon elaborating these contours. Many will join in this effort, to be continued in future Utzon symposiums and workshops around the world.

Archaeologist are increasingly focusing on the transformation of artifacts from their use in the past to their appearance in the archaeological record, trying to identiy the natural and cultural processes that created the archaeological record we study today. In Classical Archaeology, attention to these processes received an impetus by J. Theodore Pena's 2007 monograph, Roman Pottery in the Archaeological Record, which considered how ceramic vessels were made, used and stayed in use serving various secondary purposes, before finally being discarded. Pena relied mainly on evidence from Roman Italy, which raises the question of the impact of similar cultural forces on pottery from other periods and places. His work accentuates the need to continue the process of building and developing explicit interpretive models of ceramic life-histories in Mediterranean archeology. With a view to beginning to address these challenges, the editors invited a group of specialists in the pottery of Greece and the rest of the Eastern Mediterranean to a colloquium in Athens in June 2008, asking the contributors to recondiser Pena's general models, approaches and examples from their own particular geographic and cultural perspectives. This publication constitutes the proceedings of this colloquium.

The majority of Malevich's drawings and manuscripts only exist today thanks to the efforts of Anna Aleksandrovna Leporskaya (1900-1982). The present study reconstructs the outlines of this unique collection and of Leporskaya's and Malevich's own registration of the drawings, undertaken in 1926.