The book offers a groundbreaking examination of Chekhov's plays through a cross-cultural lens, focusing on their production across different cultures. It explores how various interpretations and performances influence the understanding of Chekhov's work, highlighting the interplay between cultural context and theatrical expression. This unique study sheds light on the diverse ways in which Chekhov's themes resonate globally, making it a significant contribution to both theatre studies and comparative literature.
Laurence Senelick Libros
Laurence Senelick es una figura destacada en los estudios teatrales, cuyo trabajo investiga la intersección de la performance, la historia y la cultura. Sus ensayos críticos y estudios profundizan en las profundas conexiones entre los textos dramáticos y su puesta en escena, revelando cómo el teatro es moldeado por los cambios sociales y los moldea. A través de su profundo conocimiento de la historia y la práctica teatral, Senelick ilumina la naturaleza compleja de las artes dramáticas y su impacto perdurable.





Exploring the rich history of theatrical cross-dressing, this book delves into its origins and cultural variations throughout different eras. As the first comprehensive cross-cultural examination of theatrical transvestism, it highlights the significance and evolution of this unique performance art across various societies.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
The Final Curtain: The Art of Dying on Stage
- 206 páginas
- 8 horas de lectura
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.