Laurence Senelick es una figura destacada en los estudios teatrales, cuyo trabajo investiga la intersección de la performance, la historia y la cultura. Sus ensayos críticos y estudios profundizan en las profundas conexiones entre los textos dramáticos y su puesta en escena, revelando cómo el teatro es moldeado por los cambios sociales y los moldea. A través de su profundo conocimiento de la historia y la práctica teatral, Senelick ilumina la naturaleza compleja de las artes dramáticas y su impacto perdurable.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.