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John Arden

    Arden se erige como uno de los dramaturgos británicos más importantes de mediados del siglo XX, célebre por su audaz estilo teatral. Sus obras mezclan hábilmente poesía y canciones con el habla coloquial, generando tensión dramática a través de conflictos intencionadamente irresolutos. Habiendo crecido en la ciudad industrial de Barnsley, capturó su esencia en su escritura. Las obras de Arden frecuentemente provocaron controversia debido a su ambigüedad moral y su incisivo comentario social.

    Arden Plays 1
    New English Dramatists 3
    The Waters of Babylon. Live Like Pigs. The Happy Heaven
    The Business of Good Government: a Christmas Play
    The Island of the Mighty
    The Waters of Babylon; Live Like Pigs; The Happy Haven
    • Selected for its cultural significance, this work contributes to the foundational knowledge of civilization. It is recognized by scholars for its importance in understanding historical and societal contexts, making it a valuable resource for those interested in the development of human thought and culture.

      The Business of Good Government: a Christmas Play
    • Arden Plays 1

      • 350 páginas
      • 13 horas de lectura

      Will Self has established himself as one of the most brilliant, daring, and inventive writers of his generation. My Idea of Fun is Will Self’s highly acclaimed first novel. The story of a devilishly clever international financier/marketing wizard and his young apprentice, My Idea of Fun is both a frighteningly dark subterranean exploration of capitalism run rampant and a wickedly sharp, technically acute display of linguistic pyrotechnics that glows with pure white-hot brilliance. Ian Wharton is a very ordinary young man until he is taken under the wing of a gentleman known variously as Mr. Broadhurst, Samuel Northcliff, and finally and simply the Fat Controller. Loudmouthed, impeccably tailored, and a fount of bombastic erudition, the Fat Controller initiates Ian into the dark secrets of his arts -- of marketing, money, and the human psyche -- and takes Ian, and the reader, on a wild voyage around the edges of reality. As we careen into the twenty-first century, Self perfectly captures the zeitgeist of our times: money is the only common language; consumerism, violence, and psychosis (drug-induced and otherwise) prevail; and the human soul has become the ultimate product.

      Arden Plays 1