Jeanine Cummins Orden de los libros (cronológico)

From #1 New York Times bestselling author Jeanine Cummins comes a deeply felt multigenerational family story that explores the meaning of home. On her wedding day in 1968 San Juan, Puerto Rico, Rafaela Acuña y Daubón marries Peter Brennan Jr., unaware of the dramatic changes ahead when she relocates her family to the American Midwest, leading to a series of disappointments. In the 1980s, Rafaela’s daughter, Ruth Brennan, feels isolated in St. Louis and yearns to belong, sacrificing her language and childhood memories of Puerto Rico. Decades later, when Ruth’s daughter, Daisy, returns to Puerto Rico, the family begins to reflect on their choices. A hurricane strikes the island, leaving Daisy critically injured, prompting Rafaela and Ruth to return to their roots. As they gather at Daisy’s bedside, they confront the pasts that shaped their lives. The narrative follows their journeys of love, risk, and the complexities of family dynamics. As old memories resurface, buried secrets emerge, leading the family to question their sense of belonging. This striking examination of marriage, family, and identity ultimately poses the question: how can three women with shared geography and genetics have such different perceptions of their origins, and can they find a common language to navigate their way home?

Domov nie je miesto. Je to príbeh, ktorý si o sebe rozprávame. Rafaela si v roku 1968 v záchvate romantiky vezme muža, ktorým si nie je celkom istá – a týmto rozhodnutím sa začne jej cesta z rodného Portorika na americký Stredozápad. Namiesto nového začiatku však prichádza samota a sklamanie… Jej dcéra Ruth sa v osemdesiatych rokoch snaží za každú cenu zapadnúť – a tak sa vzdá jazyka, zvykov aj spomienok na detstvo v portorickom meste San Juan. Až o desaťročia neskôr, keď sa Ruthina dcéra Daisy vracia na rodný ostrov, musia tri generácie žien čeliť minulosti, rozhodnutiam, ktoré ich formovali, aj otázke, čo pre ne vlastne znamená slovo „domov“. Rozprávaj mi o domove je silný príbeh o matkách a dcérach, o láske, odlúčení, odvahe a túžbe niekam patriť. Jeanine Cumminsová v ňom píše o domove ako o mieste, ktoré si nesieme v srdci – a ktoré si niekedy musíme znova vybojovať.

También de este lado hay sueños. On this side, too, there are dreams. Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they’ll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with a few books he would like to buy—two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia’s husband’s tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia—trains that make their way north toward the United States, which is the only place Javier’s reach doesn’t extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to?

'Rich and intricately drawn... luminous prose' Carolyn Parkhurst After the birth of her daughter Emma, the usually resilient Majella finds herself feeling isolated and exhausted. Then, at her childhood home, Majella discovers the diary of her maternal ancestor Ginny, and is shocked to read a story of murder in her family history. With the famine upon her, Ginny Doyle fled from Ireland to America, but not all of her family made it. What happened during those harrowing years, and why does Ginny call herself a killer? Is Majella genetically fated to be a bad mother, despite the fierce tenderness she feels for her baby? Determined to uncover the truth of her heritage and her own identity, Majella sets out to explore Ginny's past - and discovers surprising truths about her family and ultimately, herself.

Ireland, 1959: Young Christy Hurley is a Pavee gypsy, traveling with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well, haunted by the story of his mother's death in childbirth. The peripatetic life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle down temporarily in a town where Christy and his cousin can attend mass and receive proper schooling. But they are still treated as outsiders. As Christy's exposure to a different life causes him to question who he is and where he belongs, the answer may lie with an old newspaper photograph and a long-buried family secret that could change his life forever...