Otto Havrila Libros

From internationally bestselling author John Boyne, a contemplative story about one man trying to move forward from the trauma of his youth to become a better father to his son. Being in limbo, 30,000 feet in the air, offers time to reflect and take stock. For Aaron Umber, it's an opportunity to connect with his 14-year-old son as they travel halfway across the world to meet a woman who isn't expecting them. Unsettled by his past, and anxious for his future, Aaron is at a crossroads in life. The damage inflicted upon him during his youth has made him the man he is, but now threatens to widen the growing fissures between him and his only child. This trip could bind them closer together, or tear them further apart. In this penetrating examination of action and consequence, fault and attribution, acceptance and resolution, John Boyne gives us a redemptive story of a father and a son on a moving journey to mend their troubled lives.

The first thing Vanessa Carvin does when she arrives on the island is change her name. To the locals, she is Willow Hale, a solitary outsider escaping Dublin to live a hermetic existence in a small cottage, not a notorious woman on the run from her past. But scandals follow like hunting dogs. And she has some questions of her own to answer. If her ex-husband is really the monster everyone says he is, then how complicit was she in his crimes? Escaping her old life might seem like a good idea but the choices she has made throughout her marriage have consequences. Here, on the island, Vanessa must reflect on what she did - and did not do. Only then can she discover whether she is worthy of finding peace at all.

Freya appears to lead a luxurious life as a successful surgeon, enjoying wealth and privilege. However, her seemingly perfect existence is rooted in a troubled past filled with darkness. The contrast between her current status and her previous struggles hints at deeper themes of resilience and the complexities of identity, suggesting that her journey is shaped by both triumphs and hidden challenges.

If you look enough, you can find stories pretty much anywhere. They don't even have to be your own. Or so would-be-novelist Maurice Swift decides early on in his career. A chance encounter in a Berlin hotel with celebrated author Erich Ackerman gives Maurice an opportunity. For Erich is lonely, and he has a story to tell ; whether or not should is another matter. Once Maurice has made his name, he finds himself in need of a fresh idea. He doesn't care where he finds it, as long as it helps him rise to the top. Stories will also make him beg, borrow and steal. They may even mak him do worse.