Stieglitz Orden de los libros (cronológico)

This book outlines the development of psychotherapy based on depth psychology, against its historical background. It provides an introduction both to the foundations of classical psychoanalysis and also current theoretical approaches and presents in particular the disturbance-specific distinctions involved in theoretical and technical treatment concepts. The book provides a modern view of depth psychology, viewed as representing multiperspective competence, illustrated with a detailed discussion of clear treatment cases. The presentation of the procedure is rounded off with discussions on the scientific evidence for efficacy.

This volume provides up-to-date insights into the psychoanalysis founded by Sigmund Freud as a treatment procedure, set in the context of its historical development and its relevance today. Important theoretical and technical treatment concepts, as well as the epistemological status of psychoanalysis, are discussed. The book is supplemented with an overview of the general and specific theory of disturbance and change in psychoanalysis and notes on the state of research, institutional structures and developments, as well as resources for further training.

Alfred Stieglitz, Edward Steichen, and Paul Strand are iconic photographers of the 20th century, and this volume presents the Metropolitan Museum’s exceptional collection of their works for the first time. Stieglitz, a fervent supporter of photography and modern art through his “Little Galleries of the Photo-Secession” and the journal Camera Work, was also an accomplished photographer. His contributions include portraits, landscapes, city views, and cloud studies, featuring a composite portrait of Georgia O’Keeffe, selected by her for the Museum. Steichen, renowned for his fashion photography and celebrity portraits, collaborated with Stieglitz and exemplified Photo-Secessionist photography. His notable works include three large variant prints of The Flatiron and moonlit photographs of Rodin’s Balzac. The final double issue of Camera Work, devoted to Paul Strand, marked a significant shift in photography. Strand’s images from 1915 and 1916 explored themes of movement, abstraction, and street portraits, transitioning from the soft-focus Pictorialist style to a more modern, graphic approach. This collection features Strand’s rare large platinum prints, many unique exhibition pieces. The photographs showcased are among the Metropolitan’s most treasured holdings.

Containing 30 essays that embody the history of photography, this collection includes contributions from Niepce, Daguerre, Fox, Talbot, Poe, Emerson, Hine, Stieglitz, and Weston, among others.