“Hoy me gustaría pedir que empecemos a soñar con un plan para un mundo distinto. Un mundo más justo. Un mundo de hombres y mujeres más felices y más honestos consigo mismos. Y esta es la forma de empezar: tenemos que criar a nuestras hijas de otra forma. Y también a nuestros hijos.”
"Partout dans le monde, la question du genre est cruciale. Alors j'aimerais aujourd'hui que nous nous mettions à rêver à un monde différent et à le préparer. Un monde plus équitable. Un monde où les hommes et les femmes seront plus heureux et plus honnêtes envers eux-mêmes. Et voici le point de départ : nous devons élever nos filles autrement. Nous devons élever nos fils autrement." Dans ces deux discours, Chimamanda Ngozi Adichie porte une voix, rare et puissante, d'émancipation.
Born on the shores of Lake Ontario, Grania O'Neill suffers a childhood illness that destroys her hearing. Grania's life without sound is also a life bounded by a powerful family love that tries to protect her from suffering. But when it becomes clear that Grania can no longer thrive among the hearing, her family sends her to the Ontario School for the Deaf. There, protected from the often unforgiving world outside, she learns sign language and speech. And there she meets Jim Lloyd, a hearing man, and the two, in wonderment, begin to create a new emotional vocabulary that encompasses both sound and silence. But a war is raging on the other side of the world. Only two weeks after their wedding, Jim must leave home to serve as a stretcher-bearer on the blood-soaked battlefields of Flanders. During this long and brutal war of attrition, Jim and Grania are pulled to the centre of cataclysmic events that will alter civilisation forever.
The sudden and unexpected death of a renowned surgeon in Ghana has rippling repercussions on his family, both from his first marriage and his second, as truths are uncovered and betrayals are exposed, ultimately bringing everyone closer together
TIME’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision. Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker, her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.”