Claudia Valeria Letizia Libros

En esta extraordinaria obra se narran los duros comienzos de una familia emigrante irlandesa contados por un niño. Por ello, el lector se encontrará con grandes dosis de humor, compasión, y esperanza trasmitidos a través de su autor, Frank McCourt

In a memoir hailed for its searing candor and wit, Alice Sebold reveals how her life was utterly transformed when, as an eighteen-year-old college freshman, she was brutally raped and beaten in a park near campus. What propels this chronicle of her recovery is Sebold's indomitable spirit -- as she struggles for understanding; as her dazed family and friends sometimes bungle their effords to provide comfort and support; and as, ultimately, she triumphs, managing through grit and coincidence to help secure her attacker's arrest and conviction. In a narrative in turns disturbing, thrilling, and inspiring, Alice Sebold illuminates the experience of trauma victim even as she imparts wisdom profoundly won: "You save yourself or you remain unsaved."

El libro comienza con su viaje a Estados Unidos en 1949. Apenas tiene diecinueve años y su única compañía es un sacerdote al que acaba de conocer en el barco. Durante su primer trabajo en un hotel entra muy pronto en contacto con las estrictas jerarquías de una sociedad «supuestamente» sin clases sociales. Más tarde, tras superar obstaculos de todo tipo, tiene por fin la oportunidad de entrar en la Universidad de Nueva York, donde completará sus estudios y se preparará para su futuro trabajo como profesor.Frank McCourt nos obsequia con nuevos capítulos de su vida y con nuevas lecciones de humanidad y de supervivencia, en el mismo tono entrañable y humorístico que ha cautivado a los lectores de Las cenizas de Ángela.

A thrilling journey into the minds of African elephants as they struggle to survive. If, as many recent nonfiction bestsellers have revealed, animals possess emotions and awareness, they must also have stories. In The White Bone, a novel imagined entirely from the perspective of African elephants, Barbara Gowdy creates a world whole and separate that yet illuminates our own.For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing-not the once familiar terrain, or the age-old rhythms of life, or even memory itself-seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place. And so begins a quest through Africa's vast and perilous plains-until at last the survivors face a decisive trial of loyalty and courage.In The White Bone, Barbara Gowdy performs a feat of imagination virtually unparalleled in modern fiction. Plunged into an alien landscape, we orient ourselves in elephant time, elephant space, elephant consciousness and begin to feel, as Gowdy puts it, what it would be like to be that big and gentle, to be that imperiled, and to have that prodigious memory.

"L’altro mio problema era che mi stavo innamorando di Gretchen, la mia amica del cuore, che secondo tutti quanti (pensavo io) era una cicciona. Stavamo cantando in quel catorcio della sua macchina e alla fine del pezzo – White Riot dei Clash – mi resi conto dal modo in cui le guardavo la bocca corrugata che faceva un sorriso e gli occhi ammiccanti, complici, che eravamo molto più che amici, almeno per me". Brian, diciasettenne di Chicago, ama i videogiochi, la musica metal e la sua amica Gretchen, un’attaccabrighe con i capelli tinti di rosa, cicciona e sboccata. Nel frattempo Gretchen ama i Ramones e i Clash e il delinquente razzista Tony Degan di ventisei anni. Inoltre è famosa per picchiare le altre ragazze, come quando aveva rotto un braccio a Amy Schaffer a una festa di Halloween: "Gretchen s’era vestita da Kennedy post-attentato col completo nero, il sangue e i buchi delle pallottole, e Amy Schaffer aveva stralunato gli occhi e aveva detto: Mamma mia, sembri proprio un uomo e allora Gretchen si era girata, l’aveva presa per un braccio e gliel’aveva storto forte dietro la schiena”. Un romanzo violento, tenero e divertente che ha conquistato l’America.

A barrister, a priest, a detective, a lovelorn Irishman, a handwriting expert, a heinous spiritual medium - the very British bachelors of Muriel Spark's supreme 1960 novel come in every stripe.. "First found contentedly chatting in their London clubs and shopping at Fortnum's, the cozy bachelors (as any Spark reader might guess) are not set to stay cozy for long. Soon enough, the men are variously tormented - defrauded or stolen from; blackmailed or pressed to attend horrid seances - and then plunged, all together, into the nastiest of lawsuits. At the center of that suit hovers pale, blank Patrick Seton, the medium. Meanwhile, horrors of every size plague the poor bachelors - from the rising price of frozen peas to epileptic fits, forgeries, spiritualists foaming with protoplasm, and murder.

New England White touches on issues of race, class and influence. At the center of the novel are college president Lemaster Carlyle and his wife, Julia, a deputy divinity school dean. This sympathetic couple represent a new breed of prominent, well-connected African Americans who navigate with ease in the mainly white power structure. Their security begins to wobble dangerously as Julia investigates the hidden motive behind a murder in their community. A well-crafted literary novel that grapples with serious social and ethical issues.