Frances Fyfield Orden de los libros

Set against a backdrop of psychological tension, this gripping thriller explores the complexities of confinement and the human psyche. It weaves a tale of resilience and survival, drawing comparisons to the emotional depth found in works like Emma Donoghue's Room and V. C. Andrews' Flowers in the Attic. The narrative delves into the characters' intricate relationships and the dark secrets that bind them, creating a chilling atmosphere that keeps readers on the edge of their seats.

The story unfolds with Richard Beaumont, who witnesses a mysterious woman's tragic fall from the Dover cliffs. Struggling with the haunting image, he isolates himself from his wife, Lilian, and becomes consumed by the need to capture the moment through his art. As he obsessively paints the scene, the narrative delves into themes of grief, obsession, and the impact of trauma on relationships, highlighting Richard's internal conflict and the consequences of his fixation on the unknown woman.

Reissue of a classic Sarah Fortune psychological treat

Marianne Shearer is at the height of her career, a dauntingly successful barrister, respected by her peers and revered by her clients. So why has she killed herself? Peter Friel is determined to find out if her last trial held the reason for taking her own life.

Elisabeth is a picture restorer. This gives her the solitude and independence she needs - living and working alone in her flat. Despite her skills and reliability, Elizabeth undercharges for her work - valuing the worth of the paintings rather more than herself. Her ambitions are modest: beauty to look upon, unintrusive friendships and complete privacy. But when a mysterious and obviously wealthy man commissions her to restore his fabulous collection, an uncharacteristic combination of curiosity and financial need prompts her to accept his offer. Elisabeth soon realises her error, as the past and the present combine to make privacy her nemesis. As she becomes hostage to her patron, her lover and her friend realise they know nothing about her, or where she might be.

Rachel befindet sich an einem Tiefpunkt ihres Lebens, al ssie der charismatischen Ivy begegnet. Diese ist das vollkommene Gegenteil von Rachel: stark, lebenshungrig und unabhängig. Auch Ivys Eltern hat Rachel bald ins Herz geschlossen, und die Besuche auf dem Bauernhof der Familie werden für sie zur willkommenen Flucht aus ihrem monotonen Alltag. Doch je mehr sie der Liebenswürdigkeit ihrer neuen Ersatzfamilie verfällt, desto weniger erkennt Rachel, dass sie zur Trumpfkarte in einem mörderischen Spiel geworden ist.

With the skill and empathy which caused A.N. Wilson to describe her as 'the best female crime writer in this country', Frances Fyfield has produced an outstanding novel of the destruction of hatred and revenge.

Theodore Calvert hinterlässt ein ungewöhnliches Testament: Seine Töchter Anna und Therese sollen sein Vermögen nur erben, wenn sie zwei Jahre lang sündlos leben. Für die angehende Nonne Therese scheint das einfach, bis schreckliche Ereignisse im Kloster geschehen.

Richard Beaumont hatte gehofft, an den weißen Klippen von Dover auf eine seltene Rabenart zu stoßen. Dass sie sich nun vor seinen Augen um die Leiche einer jungen Frau scharen, findet er grauenhaft. Kurz zuvor war der Frauenkörper auf seinem Weg in die Tiefe an ihm vorbeigerauscht, und Richard ist verstört zurückgeblieben. Nach diesem schrecklichen Erlebnis fährt der Vogelliebhaber und Hobbymaler in seine Londoner Wohnung und beginnt, den zerschmetterten Körper der jungen Frau in Öl zu malen. Wer war die Unglückliche an den Klippen,die, wie sich bald herausstellt, niemand vermisst und an die sich keiner erinnert? Hat sie sich in den Tod gestürzt, oder wurde sie gestoßen? Richards Nachbarin und gute Freundin Sarah Fortune fängt an, in dem Fall zu ermitteln. Weder Richard noch Sarah ahnen, dass des Rätsels Lösung in ihrer unmittelbaren Nähe schlummert.

Sarah Fortune inherited her flat from one of her many lovers. Now a son has appeared claiming it is his, morally if not strictly legally, and he is using illegal means to persuade Sarah to give it up: abusive letters threatening her personal harm. As it becomes more difficult to ignore these missives, Sarah comes across Henry, a timid, lonely man whose upstairs neighbour is using every trick in the racketeer landlord's book to make him leave his home: litter in the shared hallway, continual noise, poison set out for his cat. It seems that if they swap accommodation for a while they may be able to deal with each other's problems. But these two strangers have unknown connections in common: a well-meaning widow, a struggling therapist, and a man who sets fire to other people's property for a living ...