Dario Fo fue un satírico, dramaturgo y director de teatro italiano cuyo trabajo empleó los métodos cómicos de la antigua commedia dell'arte italiana. Su producción dramática, popular entre las clases trabajadoras, reflejó una aguda lente satírica sobre la sociedad. Junto con su esposa, dirigió una compañía de teatro donde sus actuaciones cobraron vida a través de una actuación excepcional.
Brings together three major political plays, Accidental Death of an Anarchist, Mistero Buffo and Trumpets and Raspberries, along with two previously unpublished short farces - The Virtuous Burglar and One was Nude and One Wore Tails.
A triumphant transformation of mediaeval mystery plays into radical political theatre
In its first two years of production, Dario Fo's controversial farce, Accidental Death of an Anarchist, was seen by over half a million people. It has since been performed all over the world and is widely recognised as a classic of modern drama. A sharp and hilarious satire on political corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window.This version of the play was premiered in London in 2003.Commentary and notes by Joseph Farrell.Content: Dario Fo Plot Commentary Further reading Accidental death of an anarchist NotesQuestions for further study.
In a unique first-person monologue, the story reimagines Christopher Columbus's voyage through the eyes of Johan Padan, a reluctant crew member tasked with cleaning pig stalls. His unexpected journey leads him to be adopted by a Native American tribe, where he aids them against the conquistadors. This vivid retelling blends subversive comedy with linguistic play, creating an alternate history that challenges traditional narratives about race, gender, and the interplay of history and humor.
These fables spark the imagination, challenge the conscience, and delight the soul. Greed and corruption are Fo's irreverent subjects for this satirical Fellini-esque provocation. Fo convenes courtiers, popes, cardinals, generals, peasants and one man who despite his own earthly appetites and desires becomes a saint.
"Lucrezia Borgia is one of the most vilified figures in modern history. The daughter of a notorious pope, she was twice betrothed before the age of eleven and thrice married--one husband was forced to declare himself impotent and thereby unfit and another was murdered by Lucrezia's own brother, Cesar Borgia. She is cast in the role of murderess, temptress, incestuous lover, loose woman, femme fatale par excellence. But there is always more than one version of a story. Lucrezia Borgia is the only woman in history to serve as the head of the Catholic Church. She successfully administered several of the Renaissance Italy's most thriving cities, founded one of the world's first credit unions, and was a generous patron of the arts. She was mother to a prince and to a cardinal. She was a devoted wife to the Prince of Ferrara, and the lover of the poet Pietro Bembo. She was a child of the renaissance and in many ways the world's first modern woman."--jacket flap.
Objectified, Aestheticized, Fantasized, Eroticized, Feminized by Photography's Most Titillating Masters
Photographs of breasts are everywhere: in museums, on book covers, in fashion ads, and on posters. Alluring symbols of womanhood, breasts have fascinated generations of image makers. Here, for the first time between two covers, is the breast in photography: the titillating breast, the maternal breast, the aging breast, and the symbolic breast.
Nachw. v. Jungblut, Helga ; Chotjewitz, Peter O. 94 S. N.-A.
Das ist Fo's 400seitiges Hauptwerk, seine höchst fröhliche Wissenschaft vom Theater, eine kenntnis- und materialreiche Theatergeschichte ebenso wie eine Schule der Komödianten, entstanden aus den Traditionen und Travestien eines universellen kulturellen Erbes - eine Summe seines politisch-moralischen wie innovativ-unterhaltsamen Werkes. Mit einem Beitrag von Franca Rame.
