This is an examination of Michaelangelo's art in relation to the developing Italian Renaissance, a period of unique interest and achievement. To understand Michaelangelo, therefore, it is important to see him in the context of Renaissance society before placing the dominating figure of Michaelangelo at its artistic heart.
EDGAR DEGAS (1834-1917) became a professional painter through a change in his family's fortunes. He grew up the privileged son of wealthy and cultured parents and despite his interest in art was destined for a career in law until the failure of the family bank. More than any of his famous contemporaries, while possibly excluding Manet, Degas was a traditionalist painter. He was dismissive of the Impressionist technique as a method, although he participated in most of the group's early exhibitions. As a result, he is more closely allied in popular understanding with Impressionism than he himself ever wished to be. Best known for his paintings of ballet Dancers, Degas was an urbane and savagely witty man, choosing his subjects from the cultured society life of Paris in which he was a well known figure.
A Dramatic Cutaway Look Into Five of the World's Architectural Treasures - Featuring Panoramic Foldouts: A Cathedral, a Palace, a Theatre, a Castle, a Residence
79 páginas
3 horas de lectura
a look inside five of the worlds greates architectural treasurers with more the 100 full colour photos
Una experiencia artística única para todos los aficionados al impresionismo: las obras maestras de Claude Monet presentan su evolución artística a lo largo de su larga y destacada carrera. La representación de la naturaleza es el núcleo de su pintura, donde buscó incansablemente la verdad de sus emociones. Desde la fiel representación del paisaje en sus inicios hasta la pintura gestual de sus últimos nenúfares, este volumen permite comprender de nuevo el desarrollo de su obra. Se abordan los temas recurrentes en el trabajo de Monet (el mar, el Sena, los jardines, las estaciones, etc.) así como las técnicas que empleó, como el tratamiento de la luz y el color a través del pincel, el uso de repeticiones y series para captar mejor las variaciones atmosféricas, y la progresiva disolución de las formas que lo convierten en un precursor de la abstracción.
The work of seven distinguished art historians, The history of art places the creation of individual works of art within the context of their own cultures. Offers a marvellous collection of illustrations of art of every kind and period, from cave paintings to the 1980s
V knize se zabývá anglický malíř, sochař a kritik šesti významnými malířskými školami z prvních třiceti let 20. století. V pojednání o fauvismu, kubismu, expresionismu, futurismu, De Stijlu a surrealismu uvádí nejprve hlavní představitele a reprodukce jejich děl, vysvětluje malířské znaky, původ názvu a dále vznik, vývoj a podstatu toho kterého uměleckého směru. V úvodní části podává výklad o podstatě moderního malířství a vlastního procesu umělecké tvorby. 44 s., 54 s. obr. příl. Spoluvyd. nakl. Spring Books a Paul Hamlyn v Londýně. Na frontispice faksimile podpisů výtvarníků.
Born in 1606, the son of a miller, Rembrandt Harmenez van Rijn is considered to be one of the greatest painters of all time. This book has 48 Rembrandt’s paintings taken from collections throughout Europe and reporduced in full colour. They constitutes the nucleus of themes around which this extraordinary artist created such and impressive oeuvre self-portraits, portraits of men, women and children, group commissions such as the Night Watch and Syndics of the Clothworkers Guilds, and his most famous religious and genre paintins