Kenneth Rexroth Orden de los libros (cronológico)

Výber z poézie Kennetha Rexrotha v preklade Jána Kvapila.

Výbor z díla předního soudobého amerického básníka.

A couple's life and love are destroyed when they win the lottery in this tragic tale of turn-of-the-century San Francisco. McTeague and Trina are in love, and with the modest income from McTeague's dentistry office, their needs are few. But when Trina wins a small fortune from a lottery ticket, jealousy and distrust begin to unravel their happy home. As tension erupts between McTeague and Trina's cousin Marcus, Trina's impulse to save her winnings slowly gives way to a pathological obsession with hoarding money. Betrayed and destitute, the couple embarks on a journey down a path of violence, theft, and murder. Considered transgressive for its brutality and sordid subject matter upon first publication in 1899, McTeague has since served as the basis for the films Greed (1924) by Erich von Stroheim and Slow Burn (2000), starring Minnie Driver and James Spader

This volume brings together all of Kenneth Rexroth’s shorter poems from 1920 to the present, including a group of new poems written since the publication of Natural Numbers, drawn from seven earlier books. This volume brings together all of Kenneth Rexroth’s shorter poems from 1920 to the present, including a group of new poems written since the publication of Natural Numbers, drawn from seven earlier books. Among the American poets of the generation that came to prominence in the Forties, Kenneth Rexroth has been notable both for the independence of his personal voice and for his accessibility to the tradition of international avant-garde literature. He began writing and publishing in magazines at fifteen. His earliest work was personal and concrete, much like that of the Imagists. In his twenties he wrote in the disassociative style––sometimes called "literary cubism "––developed by Mallarmé, Apollinaire, and Reverdy. This was not free association, but the conscious disassociation and recombination of the elements of the poem to achieve the highest possible level of significance. With his later books Rexroth moved back to a direct and classically simple form of personal statement. In this period he wrote the great nature poems, the love poems, and the contemplative lyrics that have established his reputation as one of the most important American poets.