La imaginación narrativa de Robin McKinley tiene profundas raíces en una infancia marcada por frecuentes mudanzas y una profunda conexión con los libros. Crea mundos de fantasía inmersivos, a menudo infundidos con elementos del folclore y cuentos de hadas, caracterizados por una prosa lírica y estudios de personajes perspicaces. Su obra se centra con frecuencia en protagonistas femeninas, explorando su desarrollo y resiliencia tanto en roles convencionales como poco convencionales.
Mirasol, a beekeeper in the ancient demesne of Willowlands, is attuned to the earthlines that speak to her, a gift shared by her long-established family. Following the violent deaths of the last Master and Chalice, the stability of Willowlands is in jeopardy, and Mirasol grapples with the uncertainty of her home’s future. With no heirs to uphold the vital responsibilities of the Circle, she becomes increasingly concerned about the fate of her land and its legacy.
Six fabulous tales - vividly imagined and powerfully told.A long-told story of
the sea people and their song - and a golden eye, glittering in a pool at the
edge of a desert .A ferocious serpent, its body as think as the trunk of a
huge tree - and the immense, unknowable Kraken, dark beyond black, cold beyond
ice, waking on the ocean floor .
Cinque ragazze, cinque protagoniste diverse che cercano di sperimentare i propri poteri: streghe di ieri e di oggi, streghe buone per le quali la magia è una forza naturale e positiva, da usa per diffondere la gioia attorno a sé, ma soprattutto per acquistare la forza, consapevolezze e capacità di amare. Cinque lunghi racconti fantastici che parlano di fiori fatati, innamorati improbabili, matrimoni insoliti, guarigioni possibili, misteriose scatole che riescono a deviare un'autostrada... Cinque storie da leggere per scoprire in se stesse l'ombra degli incantesimi di cui tutte le donne sono capaci.
"Spindle's End" is a retelling of the fairy tale, "The Sleeping Beauty", which takes the reader into a magical world filled with modern characters who encounter adventure, love and loss. The curse placed on Rosie at her christening will hunt her down through the years.
"It is the heart of this place, and it is dying," says the Beast. And it is true; the center of the Beast's palace, the glittering glasshouse that brings Beauty both comfort and delight in her strange new environment, is filled with leafless brown rosebushes. But deep within this enchanted world, new life, at once subtle and strong, is about to awaken. Twenty years ago Robin McKinley enthralled readers with the power of Beauty. Now this extraordinarily gifted novelist retells the story of Beauty and the Beast again--but in a totally new way, with fresh perspective, ingenuity, and mature insight. In Rose Daughter she has written her finest and most deeply felt work, a compelling, richly imagined, and haunting exploration of the transformative power of love.
'As Princess Lissar reaches womanhood, it is clear to all the kingdom that in her breathtaking beauty she is the mirror of her mother, the queen. But this seeming blessing forces her to flee to safety from her father's wrath. With her loyal dog Ash at her side, LIssar unlocks a door to a world of magic, where she finds the key to her survival - and an adventure beyond her wildest dreams...' -- cover.
In Robin McKinley’s Newbery Medal–winning novel, an outcast princess must earn her birthright as a hero of the realm Aerin is an outcast in her own father’s court, daughter of the foreign woman who, it was rumored, was a witch, and enchanted the king to marry her. She makes friends with her father’s lame, retired warhorse, Talat, and discovers an old, overlooked, and dangerously imprecise recipe for dragon-fire-proof ointment in a dusty corner of her father’s library. Two years, many canter circles to the left to strengthen Talat’s weak leg, and many burnt twigs (and a few fingers) secretly experimenting with the ointment recipe later, Aerin is present when someone comes from an outlying village to report a marauding dragon to the king. Aerin slips off alone to fetch her horse, her sword, and her fireproof ointment . . . But modern dragons, while formidable opponents fully capable of killing a human being, are small and accounted vermin. There is no honor in killing dragons. The great dragons are a tale out of ancient history. That is, until the day that the king is riding out at the head of an army. A weary man on an exhausted horse staggers into the courtyard where the king’s troop is assembled: “The Black Dragon has come . . . Maur, who has not been seen for generations, the last of the great dragons, great as a mountain. Maur has awakened.”
A strange imprisonment Beauty has never liked her nickname. She is thin and awkward; it is her two sisters who are the beautiful ones. But what she lacks in looks, she can perhaps make up for in courage. When her father comes home with the tale of an enchanted castle in the forest and the terrible promise he had to make to the Beast who lives there, Beauty knows she must go to the castle, a prisoner of her own free will. Her father protests that he will not let her go, but she answers, "Cannot a Beast be tamed?" Robin McKinley's beloved telling illuminates the unusual love story of a most unlikely couple: Beauty and the Beast. From The Back Cover: "Cannot a Beast be tamed?" Beauty, believing herself plain and awkward, loves roses. But when her father goes travelling and plucks just one magnificent, crimson rosebud from the garden of a magical castle, a fearsome Beast demands revenge. Either Beauty's father must forfeit his life - or his daughter must promise to live with the Beast for ever. A captivating retelling of the story of Beauty and the Beast from a Newbery Medal-winning author.
A fantastical collection, available again, of four stories: two stunningly original, and two superb re-creations of favorite tales. "All four stories are linked by a leisurely richness of expression and by their motifs: the temptation of fairy magic versus the joyful acceptance of human mortality and the immutability of love in the face of enchantment."--Horn Book.
From the "New York Times" bestselling author of "Sunshine" and "The Outlaws of Sherwood"-now in trade paperback. This is the story of Harry Crewe, the Homelander orphan girl who became Harimad- sol, King's Rider, and heir to the Blue Sword, Gonturan, that no woman had wielded since the Lady Aerin herself bore it into battle.
