Imelda Staunton Libros

Tabby McTat loves singing along with Fred the busker, as people throw coins in their hat. But when Fred has an accident the two are separated. Will they find each other again?

One tiny snail longs to see the world and hitches a lift on the tail of a whale. Together they go on an amazing journey, past icebergs and volcanoes, sharks and penguins, and the little snail feels so small in the vastness of the world. But when disaster strikes and the whale is beached in a bay, it's the tiny snail who saves the day.'A joy to read aloud' —"The Guardian "

Rare book

A little girl meets a wolf in the forest on her way to visit her grandmother.

Read and sing along to this story of discovery and friendship. In the tick-tock quiet, a shaft of moonlight tickles the nose of something sleeping. It's a stuffed, stripy horse. He twitches. Then a dusty sneeze echoes round the room. He's awake. So begins this charming story, all about a forgotten toy who can't remember his name. He is befriended by Muriel (a hummingbird who flutters off the pattern on a lamp), Hermann (a daft draught excluder), and Roly and Pitch (penguin-shaped salt and pepper shakers), and embarks on an adventure to meet Ming, a wise and ancient Chinese vase cat, who is the only person in the shop who might be able to tell him who he is. Thrills, spills, and some seriously silly situations await him on his adventure.

Alison Oddey's interviews with prominent performing women, span generations, cultures, perspectives, practice and the best part of the 20th century, telling various stories collectively. Stand ups, classic actresses, film and television personalities, experimental and alternative practitioners discuss why they want to perform, what motivates them, and how their personal history has contributed to their desires to perform. Oddey's critical and analytical introductory essay examines themes of performers' identities, displacement, acting as playing, differences between theatre, film and television performance, attitudes towards and relationships with audiences, and working with women directors. In several interviews the additional challenge of motherhood emerges as an important subtext in the performing lives of these women.