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Julie Rose

    Julie Rose es una aclamada traductora de literatura francesa, conocida por su habilidad para capturar el espíritu del original y, al mismo tiempo, plasmarlo en un lenguaje fresco y accesible para los lectores contemporáneos. Sus traducciones dan nueva vida tanto a obras clásicas como modernas, poniendo la tradición literaria francesa al alcance de un público más amplio. La habilidad de Rose reside en su profundo conocimiento de ambos idiomas y sus respectivos contextos literarios, garantizando fidelidad y legibilidad.

    Art of the Motor
    The Great Accelerator
    Art as far as the eye can see
    • The Great Accelerator

      • 100 páginas
      • 4 horas de lectura

      On 10 September 2008, amid much fanfare, the Great Collider run by CERN in Geneva was turned on. The Collider was supposed to fire protons around a seventeen-mile loop of tunnels, causing them to crash into one another at close to the speed of light and break into even tinier particles. Nine days later the Collider broke down and had to be switched off, the accelerator temporarily silenced, the reckless search for 'God's particle' put on hold. At the same time the speeded-up markets of global finance, with screens of multi-coloured numbers designating the rapid flows of capital, are suddenly thrown into confusion when news spreads that the great Titan of Wall Street, Lehman Brothers, has filed for bankruptcy. Investors panic, share prices plunge and the accelerated markets of global finance seize up. In his latest book, Paul Virilio - the leading theorist of our obsession with technology, speed and power - rewrites 'The Book of Exodus', but the exodus he talks about is no longer conducted in a single file of people headed for some possible Promised Land. It is a closed-circuit exodus within a cramped world, where reduction in human stocks will suddenly look like the only solution to the lockdown of history.

      The Great Accelerator2012
    • Art as far as the eye can see

      • 128 páginas
      • 5 horas de lectura

      Art used to be an engagement between the artist and materials, but now as art practices and mediums have changed, these materials have also changed. Where art used to talk of the aesthetics of disappearance, it must now confront the disappearance of the aesthetic. In the twenty-first century, the new battleground is art as light versus art as matter. In this work, author Paul Virilio argues that this change reflects how speed and politics have been transformed to speed and mass culture.

      Art as far as the eye can see2007
      3,2
    • Art of the Motor

      • 184 páginas
      • 7 horas de lectura

      This work conjures up a world in which information is speed and duration is no more. It details the ways in which this change has led to a new visual regime, a serialization of images and sound that permits an extraordinary manipulation of both the form and the content of messages.

      Art of the Motor1995