Peter Franklin Libros

Claves del management eficaz, para conseguir una vida plena, presentadas en forma amena, concisas y práctica. El autor expone cómo empresarios, líderes, directivos de todo tipo de organizaciones, profesionales independientes y funcionarios, pueden conseguir no sólo ser más eficaces, sino también alcanzar un sólido equilibrio entre su vida profesional y personal. Lo que realmente importa no son los complejos conceptos teóricos, sino las soluciones prácticas y efectivas que el management y la gestión empresarial pueden aportar a nuestras vidas.

The Mindful International Manager tackles the management situations that international managers have to handle every day. Accessible and jargon-free it explains how to clarify local vs. international roles, support and develop a team, organize and coordinate boundaries of time and distance, and win commitment toward common goals. The authors, both interculturalists, include exercises and best practice advice and the experiences and insights of practising international managers. They combine their practical approach with great depth of insight into the challenges of working and managing internationally and include the results of new research findings and cutting-edge case studies on topics such as leadership, global nomads, virtual teams, coaching and mentoring across cultures and decision-making.

The biography delves into the complex life of Gustav Mahler, portraying him as both a sensitive artist and a demanding figure in his personal and professional relationships. It explores his controversial symphonies and the criticism he faced during his career, revealing the dichotomy between his public persona and private struggles. Through Peter Franklin's insightful narrative, readers gain a deeper understanding of Mahler's character as a conductor and husband, supported by 21 photographs that enhance the exploration of his life and legacy.

The book explores the ancient Egyptian account of Atlantis, highlighting its significance as a larger entity than its neighboring lands. It critiques the tendency to overlook this account in favor of popular theories, emphasizing the importance of gathering all relevant facts for a clearer understanding of truth. By examining the interplay between experience, belief, and various disciplines—science, philosophy, and theology—the author advocates for a harmonious approach to uncovering a universal truth, challenging readers to rethink their perspectives on historical and contemporary knowledge.

Exploring the complexities of human experiences, this collection delves into themes of addiction, loveless marriages, and the struggle for clarity amidst chaos. Characters navigate their personal battles against both internal demons and external pressures, reflecting the often harsh realities of modern life. From the gritty streets of Hamburg to the sunny escapes of Thailand, their journeys highlight the difficulty of making the right choices. Part 1 sets the stage for deeper explorations into their lives, hinting at ongoing struggles and developments.

The book critiques humanist philosophy, arguing that it leads to moral relativism where good and evil are subjective opinions. It suggests that this perspective undermines accountability, as individuals, including children and criminals, are viewed as entitled to their beliefs without facing punishment. Consequently, it posits that positive human qualities are diminished, allowing harmful behavior to thrive and disrupting societal peace. The exploration raises questions about morality, responsibility, and the consequences of a belief system that prioritizes individual entitlement over communal ethics.

From humble beginnings in Cornwall, Percy Penislow barely makes it to Number 10. With enemiesaplenty and a mistaken sexual and social identity, Percy embarks on a perilous journey, but will hesurvive it?

This book levels the critical playing field between film music and serious music, reflecting upon gender-related ideas about music and modernism as much as about film. Author Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music.

By taking an interdisciplinary approach, this book explores the process of managing relations across cultures. With research-based examples and student friendly features, it provides a groundbreaking analytic framework for understanding intercultural relations, and offers important new insights for researchers, students and practitioners.