Dean Haspiel Libros

Written by Jonathan Ames Art and cover by Dean Haspiel "Hysterically funny and gut-wrenchingly dramatic...graphic lit at it's best." - WIZARD MAGAZINE "Painfully honest, shockingly revealing and totally riveting." - Blair Butler, G4TV "An engaging graphic novel . . . Unflinching . . . Powerful." - THE NEW YORK TIMES "Tender, funny and heartbreaking." - PHILADELPHIA INQUIRER Jonathan A. is a boozed-up, coked-out, sexually confused, hopelessly romantic and, of course, entirely fictional novelist who bears only a coincidental resemblance to real-life writer Jonathan Ames, critically acclaimed author of Wake Up, Sir!, The Extra Man and What's Not to Love? For the fictional Jonathan, writing and drinking come easy. The hard parts of life are love and hope. From a touching relationship between Jonathan and his aging great aunt, to an inebriated evening with an amorous, octogenarian dwarf, Ames's first original graphic novel, with gritty, poignant art by Dean Haspiel (THE QUITTER), tells a story about how our lives fall to pieces and the enduring human struggle to put things back together again. Advance-solicited; on sale September 16 - 136 pg, 6.875" x 9", B&W, $14.99 US - MATURE READERS

The Red Hook's dead girlfriend is resurrected into WAR CRY, a human of mass destruction hosted by a teenage boy named Rajak Allah. When a demigod from their past comes to haunt them to death they must resolve their lost love. This Ringo nominated comic continues the New Brooklyn saga.

Winner of the Ringo Award for Best Webcomic 2017, this book collects the first volume of The Red Hook, the tale of a super-thief who is bequeathed the Omni- fist of Altruism and transformed into a hero against his will a year after a sentient Brooklyn's heart is broken and physically secedes from America.

Katherine Stafford is an independent forensic investigator who is lured away from her Miami life back to rural South Dakota to help an old friend solve a murder of an old sheepherder. The line between Indian and rancher still exists as Kate travels the towns in South Dakota and realizes one can never really go back home. With oil workers and fossil hunters combing the lands, Kates job becomes that much more difficult when the locals accuse an Indian of committing the murder.