Thomas G. H. James Libros

Describes the life and times of Tutankhamen and the discovery of his tomb in 1922.

Thumbelina is part of the Ladybird Favourite Tales, which are the timeless treasured stories that generations of children have grown up with and loved. These easy-to-read retellings, enhanced by exciting, richly colourful illustrations, faithfully capture all the magic of the original stories.

An exploration of Egypt, dealing primarily with the influence of its past.

Here in a single volume is a concise, lucid and authoritative introduction to one of the greatest civilisations of the ancient world. Written by the former Keeper and the staff of the Department of Egyptian Antiquities at the British Museum, it provides an invaluable guide to the culture, history and achievements of a people whose attraction remains undiminished even after five thousand years.

From the awe-inspring stone colossi of the kings of the delightful small bronze cats, the Egyptian sculptors showed a mastery of form and serenity of style which has never been surpassed. This concise, illustrated survey of 3000 years of Eyptian sculpture is based on the great collections of the British Museum. Why and how this immense range of sculpture was made, and the paths by which so many splendid examples reached the Museum, form the intrduction to this book. The authors go on to describe many of the finest sculptures in the collections, most of which can now be seen in the Egtptian Sculpture Gallery.

Discusses ancient Egyptian artifacts and the sites where the pieces were found.

From the earliest times the Egyptians used bold, bright colours to decorate their buildings, sculptures, papyri, coffins and funerary chests. The large tomb-paintings in the British Museum are the most brilliant examples of their artistry but their love of colour shows also in the small vignettes of painted papyri.This book surveys the whole range of Egyptian painting, illustrated chiefly by the wealth of material in the British Museum. T. G. H. James examines the material used by the ancient painters and explains the conventions and methods which governed some great artists, whose work should be valued in its own right as well as for its incomparable record of Egyptian life 3,000 years ago.