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Parámetros
- 237 páginas
- 9 horas de lectura
Más información sobre el libro
A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .
Compra de libros
The Birds and Other Stories, Daphne du Maurier
- Idioma
- Publicado en
- 1974
- Encuadernación
- (Tapa blanda),
- Estado del libro
- Bueno
- Precio
- 7,39 €
Métodos de pago
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- Título
- The Birds and Other Stories
- Idioma
- Inglés
- Autores
- Daphne du Maurier
- Editorial
- Pan Books
- Publicado en
- 1974
- Formato
- Tapa blanda
- Páginas
- 237
- ISBN10
- 0330250817
- ISBN13
- 9780330250818
- Serie
- Etiquetas
- Familia, Cuentos cortos, Suspense, Asesinatos, Inglaterra, Literatura inglesa, Adaptada al cine, Pérdida, Miedo, Aves, Gótica, Narración, Animales salvajes, Venecia, Terror, miedo, Animales asesinos, Viudos, Cuentos cortos ingleses
- Primera publicación
- 1987
- Título original
- Classics of the Macabre
- Calificación
- 3,95 de 5
- Descripción
- A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .






