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The Fast Gun

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To Gavin Gartree’s bunch of hardcases, “work” was a cussword, “innocent” was a come-on, and a young pilgrim girl was an invitation to a molestation. But nothing was quite as it seemed. For a start, the young pilgrim girl in question was accompanied by a small and seemingly inconsequential Texan by the name of Dusty Fog. But that was the thing about Dusty Fog. Though small in stature, he was a giant when it came to fighting, and he always made his first shot the last shot as well … J.T. Edson was a former British Army dog-handler who wrote more than 130 Western novels, accounting for some 27 million sales in paperback. Edson’s works - produced on a word processor in an Edwardian semi at Melton Mowbray - contain clear, crisp action in the traditions of B-movies and Western television series. What they lack in psychological depth is made up for by at least twelve good fights per volume. Each portrays a vivid, idealized “West That Never Was”, at a pace that rarely slackens.

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The Fast Gun, John Thomas Edson

Idioma
Publicado en
1969
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Título
The Fast Gun
Idioma
Inglés
Editorial
Corgi
Publicado en
1969
Formato
Tapa blanda
ISBN10
0552082813
ISBN13
9780552082815
Serie
Etiquetas
Salvaje Oeste
Descripción
To Gavin Gartree’s bunch of hardcases, “work” was a cussword, “innocent” was a come-on, and a young pilgrim girl was an invitation to a molestation. But nothing was quite as it seemed. For a start, the young pilgrim girl in question was accompanied by a small and seemingly inconsequential Texan by the name of Dusty Fog. But that was the thing about Dusty Fog. Though small in stature, he was a giant when it came to fighting, and he always made his first shot the last shot as well … J.T. Edson was a former British Army dog-handler who wrote more than 130 Western novels, accounting for some 27 million sales in paperback. Edson’s works - produced on a word processor in an Edwardian semi at Melton Mowbray - contain clear, crisp action in the traditions of B-movies and Western television series. What they lack in psychological depth is made up for by at least twelve good fights per volume. Each portrays a vivid, idealized “West That Never Was”, at a pace that rarely slackens.