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Tacita Dean. Antigone

Artist's Book

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  • 124 páginas
  • 5 horas de lectura

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Documenting Tacita Dean's new film work on the many resonances of Sophocles' drama Tacita Dean's (born 1965) Antigone(2018) is an hour-long 35mm anamorphic film, and is the most complex work to date by the British-European artist. The name of this work combines the artist's personal history with the mythological world order: Antigone is the heroine in the eponymous drama by the Greek poet Sophocles, and is also the name of Tacita Dean's older sister. The name creates a double bond full of ambivalences and is the reason for Dean's exploration of the character. The leitmotif of the work is blindness: Antigonerevolves around fundamental questions of foresight and destiny, seeing and not seeing, and metaphorical blindness as a necessity for artistic work. It is also a thoroughly analogue work: Dean assembled the film images, which appear like collages, with and inside the camera using sophisticated stencils and multiple exposures. The result of this experimental project is both a pioneering achievement and a masterpiece. The book documents the narrative of the making and impact of this work.

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Tacita Dean. Antigone, Tacita Dean

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Publicado en
2021
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Título
Tacita Dean. Antigone
Subtítulo
Artist's Book
Idioma
Inglés
Publicado en
2021
Formato
Tapa dura
Páginas
124
ISBN10
3906315142
ISBN13
9783906315140
Serie
Calificación
3,5 de 5
Descripción
Documenting Tacita Dean's new film work on the many resonances of Sophocles' drama Tacita Dean's (born 1965) Antigone(2018) is an hour-long 35mm anamorphic film, and is the most complex work to date by the British-European artist. The name of this work combines the artist's personal history with the mythological world order: Antigone is the heroine in the eponymous drama by the Greek poet Sophocles, and is also the name of Tacita Dean's older sister. The name creates a double bond full of ambivalences and is the reason for Dean's exploration of the character. The leitmotif of the work is blindness: Antigonerevolves around fundamental questions of foresight and destiny, seeing and not seeing, and metaphorical blindness as a necessity for artistic work. It is also a thoroughly analogue work: Dean assembled the film images, which appear like collages, with and inside the camera using sophisticated stencils and multiple exposures. The result of this experimental project is both a pioneering achievement and a masterpiece. The book documents the narrative of the making and impact of this work.