Public Theatre and the Enslaved People of Colonial Saint-Domingue

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Focusing on the rich public theatre tradition of the French colony of Saint-Domingue, the book delves into the often-overlooked connection between theatre and enslaved individuals. Utilizing diverse materials and methodologies, it addresses the nuanced experiences of enslaved spectators, their representation in performances, and their contributions to theatre. The narrative highlights how slavery was not just a context but a central element of this theatrical history, revealing the hidden stories of those enslaved individuals involved in the cultural landscape.